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Third-Year Internships

The third year of the program consists of a twelve-month internship spent away from the department. The intern trains under the supervision of a senior conservator working in the student's area of specialization. Placement is made at the department's discretion in consultation with the student and potential internship supervisors. The progress of each internship is monitored by the student's department advisor through reports submitted periodically by the internship supervisor and the intern. Interns may elect a 20-workday privilege for individual research and study with the approval of the internship supervisor and the department. At the close of the internship year, all interns return to the department in September for final oral presentations and presumed award of the Master of Arts degree and Certificate of Advanced Study in Art Conservation.

Recent third year internship placements have been at the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Library of Congress, The Carnegie Musem of Art, The Museum of Modern Art, the Denver Art Museum, the Virginia Museum of Fine Arts and the Los Angeles County Museum of Art. Below are pictures of some of our current third year interns working at their respective sites across the country.


Program Links:
Description of Courses
Course Listing
Areas of Specialization
Summer Work Projects
Student Workshops
Third-Year Internships
Degree Requirements
Placement of Graduates

 

Jennifer DiJoseph treats a photograph during her internship at the Northeast Document Conservation Center in Andover, Maryland.
This fall, Margo Delidow treated a Gaudi sculpture at the Museum of Modern Art.
Julie Parker is shown working in the objects lab at the Denver Art Museum on a traditional Native American headdress.
Dawn Rogala treats a portrait by Cecilia Beaux during her 2005-06 internship at the Wadsworth Atheneum.

Current Third-Year Interns

Victoria Binder - Legion of Honor, Fine Arts Museum of San Francisco
Victoria repairs inpainting damages with Jim Bernstein on a 20th century French fabric design on paper (left) and attaches a Japanese paper lining to a 19th century lithograph with Debra Evans's help at the Fine Arts Museum of San Francisco.
Allen Kosanovich - Philadelphia Museum of Art
Photo by Joe Mikuliak
Photo by Steve Crossot
Photo by Teresa Lignelli
Allen retouches a Veronese painting (left), works with students during an aftershool program (center), and cleans a 15th century Spanish panel painting (right) during his paintings internship at the Philadephia Museum of Art.
Julie Parker - Denver Art Museum
Julie works on the beloved life-size sculpture "Linda" (2 lefthand photos) by John DeAndrea which recently went on exhibit at the Denver Art Museum. "Linda" is only displayed for a limited time each year due to the degradation of the polyvinyl resin casting materials and oil paints. She was cast from a live model, hand painted, and had hairs individually inserted in her arms, legs, lashes, and brows.
Lauren Varga - Art Institute of Chicago

Lauren maps damages on a drawing in the top left photo and reduces stains on a Tolouse-Lautrec lithograph in the top center photo. Above, she is washing a 17th century italian drawing.

Lauren is also shown doing a backing removal (bottom left) and applying a facing with funori to a graphite drawing (bottom right). Lauren is completing her third year paper internship at the Art Institute of Chicago.

Rachel Penniman - Walters Art Museum

Rachel treats an Egyptian bronze (top left) by removing paper labels at the Walters Art Museum. Rachel also participated in an AIC Angel's project at Jefferson Patterson Park (top middle) where she helped to rehouse objects that had mice living in storage boxes.

This spring, Rachel used a CO2 cleaning system on a piece of glass that is part of a larger installation by Beth Lipman called Bancketje (top right). The piece is now on view at the Smithsonian Renwick Gallery as part of their Craft Invitational. Rachel spent her 20-day option at the Smithsonian American Art Museum. She is shown in the bottom left photo in the objects lab at SAAM's Lunder Conservation Center which features a new visible lab. Rachel also treated a larger than life acrylic urethane on fiberglass sculpture by Luis Jimenez called Man on Fire before it left the gallery on loan (bottom right).

Art Conservation Department
Buffalo State College
1300 Elmwood Avenue
Rockwell Hall 230
Buffalo, NY 14222-1095
Phone: 716.878.5025
Fax: 716.878.5039

Email: artcon@buffalostate.edu
 
Last Updated 5/8/07
© Art Conservation Department 2005