Current Third-Year Interns |
| Victoria Binder - Legion of Honor, Fine Arts Museum of San Francisco |
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Victoria repairs inpainting damages with Jim Bernstein on a 20th century French fabric design on paper (left) and attaches a Japanese paper lining to a 19th century lithograph with Debra Evans's help at the Fine Arts Museum of San Francisco. |
| Allen Kosanovich - Philadelphia Museum of Art |
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Photo by Joe Mikuliak |
Photo by Steve Crossot |
Photo by Teresa Lignelli |
Allen retouches a Veronese painting (left), works with students during an aftershool program (center), and cleans a 15th century Spanish panel painting (right) during his paintings internship at the Philadephia Museum of Art. |
| Julie Parker - Denver Art Museum |
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Julie works on the beloved life-size sculpture "Linda" (2 lefthand photos) by John DeAndrea which recently went on exhibit at the Denver Art Museum. "Linda" is only displayed for a limited time each year due to the degradation of the polyvinyl resin casting materials and oil paints. She was cast from a live model, hand painted, and had hairs individually inserted in her arms, legs, lashes, and brows. |
| Lauren Varga - Art Institute of Chicago |
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Lauren maps damages on a drawing in the top left photo and reduces stains on a Tolouse-Lautrec lithograph in the top center photo. Above, she is washing a 17th century italian drawing.
Lauren is also shown doing a backing removal (bottom left) and applying a facing with funori to a graphite drawing (bottom right). Lauren is completing her third year paper internship at the Art Institute of Chicago.
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| Rachel Penniman - Walters Art Museum |
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Rachel treats an Egyptian bronze (top left) by removing paper labels at the Walters Art Museum. Rachel also participated in an AIC Angel's project at Jefferson Patterson Park (top middle) where she helped to rehouse objects that had mice living in storage boxes.
This spring, Rachel used a CO2 cleaning system on a piece of glass that is part of a larger installation by Beth Lipman called Bancketje (top right). The piece is now on view at the Smithsonian Renwick Gallery as part of their Craft Invitational. Rachel spent her 20-day option at the Smithsonian American Art Museum. She is shown in the bottom left photo in the objects lab at SAAM's Lunder Conservation Center which features a new visible lab. Rachel also treated a larger than life acrylic urethane on fiberglass sculpture by Luis Jimenez called Man on Fire before it left the gallery on loan (bottom right).
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